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Circus animals: part of a magical world, or the victims of cruelty?

Should wild animals perform in circuses? Yes, if they’re well looked after, says David Mclaren of the Mclaren Circus. No, say animal rights activists: it’s unnecessary and it’s cruel.

Ashraf Hendricks went to the circus to talk to both sides.

Caesar is an 11-year-old white male lion. Large and muscular, the magnificent cat walks in confidently. As he arrives, he lets out an earth-shattering roar.

But Caesar is not in the wild. He is performing in a circular steel ring inside a large canvas tent, flooded by coloured lights and with a sound system blaring a mix of circus and pop music.

On command, Caesar jumps onto pedestals and leaps through hoops to an appreciative audience of about 200 people. Even Caesar’s roar is on time, at the opening of every single show.

Welcome to the McLaren Circus.

While the animals have been delighting audiences across South Africa, activists have been protesting weekly, calling for a boycott of the circus.

On 16 March, about 70 people picketed in Wynberg, with placards stating “Animals are not born to perform”, “Your ticket pays for animal abuse” and “This is the saddest show ever”. As cars drove up and customers walked into the venue, some protesters screamed “shame on you” and “don’t abuse animals”.

The protests were organised by Beauty Without Cruelty South Africa.

The circus is not a natural space for wild animals, says Beauty without Cruelty’s spokesperson Toni Brockhoven. The animals have no room to run, and because they are constantly travelling “they don’t get to establish their own home territory, which all animals would do” she says.

Protester Stephen Van der Spuy says the way animals are being trained is cruel.

“I don’t believe that animals should be kept in captivity and in cages. And that’s what a circus is all about.” Van der Spuy says that the animals are being forced to perform tricks “and that’s not what an animal is meant for. The animal is meant to be free”.

After Caesar comes Misty, a rare white Bengal tiger. On command, she lies on the floor like a playful house cat. Michael Jackson’s “Billie Jean” plays and the tiger walks on two legs, performing “The Moonwalk”. The audience, most of whom are children, is delighted.

A whip in one hand and a stick in the other, David McLaren, owner of the circus, demands respect from the animals. The whip hits only the ground, but the animals follow obediently.

It’s a dangerous and thrilling act to watch.

Over 40 countries have banned or restricted the use of animals in the circus.

But in South Africa it is not illegal to keep circus animals. The law governing this is the Performing Animals Protection Amendment Act. Circuses have to apply for a licence for every individual animal they keep.

There must be properly trained staff to look after them, and there are stringent criteria for how the animals should be looked after. For example, they must have adequate space and be kept in a hygienic, stimulating environment.

They must be trained using humane methods. There must also be a vet responsible for the animals. The Department of Agriculture, Forestry and Fisheries is supposed to do an inspection before granting the licence.

McLaren emphasises that the animals in the circus are bred in captivity. Caesar, for example, joined the circus when he was around six weeks old. “When they are born into this environment, they know nothing else,” McLaren says.

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“They are hand reared in the circus from a very young age, and they are dependant on their circus caretakers for their welfare,” says Karl Hildebrandt, public relations officer for the circus. “None of our animals are equipped to fend for themselves in the wild and they would never be able to survive.”

As for the travelling, Hildebrandt says the animals have been conditioned to this and are transported in specially built trailers.

“At the circus, they are always in a safe environment, they are fed daily and water is always provided.” When the animals are too old to perform, Hildebrandt says, that they are “retired” to the McLarens’ farm. So far, there are two lions on the farm.

Opening a circus was a childhood dream for McLaren. Established 14 years ago, his is now South Africa’s only travelling circus, employing about 45 people from several countries including Venezuela, Mexico and Brazil.

The circus has 30 performing animals including camels, horses, snakes and poodles, one of which rides a scooter. The big cats are one of the main attractions.

For the training, McLaren says that he only uses rewards. “You’ve got to make the animal understand what you want it to do by giving it a reward”, he says.

The SPCA opposes the use of wild animals in circuses, says PR officer Meg Wilson.

Historically, circuses were created so that the public could see these animals, she says, but today, they can be viewed in their natural habitats. “There is simply no need for animals to be in captivity for the privilege of the public seeing these animals.

This is strictly entertainment and is completely unnecessary.” said Wilson. “These animals are not given a choice to live like this.” The SPCA also opposes the use of animals in sport.

SPCA officials always inspect the animals’ living conditions when the circus is in town, she says.

“If there’s anything wrong with these animals, the SPCA can go down to the Wynberg Magistrate court”, says McLaren.

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Beauty Without Cruelty has been advocating for the removal of animals in the McLaren Circus since 2009. The organisation focuses on the circus, rather than on horse-racing or other forms of entertainment or sport involving animals, because it is aimed at children, Brockhoven says.

She says though Beauty Without Cruelty would like all the animals removed, the organisation is willing to compromise with the removal of only the wild animals.

The McLaren Circus invites guests into a “magical world”, and with the death-defying acrobatics, skilled jugglers and clowns, it is exactly that.

But should wild animals be part of this world?

First published on Ground Up